ADAM WEISMANN（亞當．韋斯曼
Claymoon－手工藝術品
照片由 Jonny Pickup 拍攝
Adam Weismann （亞當．韋斯曼）專注於材料實踐，其作品探討黏土所呈現的建築性、感知性以及時間性。
Claymoon 是 Adam Weismann（亞當．韋斯曼） 與其工作室持續發展中的創作計畫。作品以手工塑形的方式，將黏土、泥土、木材、石材及礦物顏料轉化為沉靜而富於冥想性的物件。系列探討材料所承載的記憶、時間的緩慢流動與場所精神，強調製作過程、觸覺經驗，以及材料如何以細微而深刻的方式形塑人們對空間的感知與棲居方式。
物料、時間與空間
Claymoon 是一項以手工塑形為核心的雕塑實踐。在此脈絡中，Adam Weismann（亞當．韋斯曼）並不將黏土視為被動或中性的創作媒介，而是將其理解為一種積極參與形構過程、具有生成力量的物質存在。此實踐根植於夯土等地方建築傳統——這些工法經由群體長期累積的經驗所發展，並在世代之間傳承。透過持續而深入的材料實踐，作品探討原始物質如何承載記憶、沉積時間，並與特定場所建立深刻連結。
作品以泥土顏料與礦物色彩緩慢塑造而成，並常被包覆於黃銅或胡桃木結構之中，進一步強化其如巨石般的量體感與鮮明的建築性存在。Claymoon 並不將作品視為單純供人觀看的物件，而是將其作為一種介入空間的沉思性存在；它們以潛移默化的方式形塑空間氛圍，調節感知經驗，並影響人與環境互動的節奏。
此實踐的核心理念在於：材料對人類經驗的影響，遠遠超越其功能或裝飾價值。Claymoon所提出的是一種更為靜謐的感知方式，根植於觸感、瑕疵之美以及時間性的累積。在這樣的框架中，雕塑不再只是物件，而是一種中介，連結建築空間與人的感知狀態，引導專注、沉思與對場所的歸屬感。
作品並不以表述身分認同為目的，也無意代言任何特定群體。相反地，它關注那些潛藏於日常之中、默默形塑人際與環境關係的物質過程——人們如何與場所建立連結、如何與彼此產生共鳴，以及如何共享對世界的理解與想像。藉由黏土、時間的積累與重複性的勞動，Claymoon 揭示了集體歸屬得以生成的條件。然而，這種歸屬並未被簡化為固定的象徵或單一敘事，而是保持開放、多元且持續生成的狀態。
在 BASPcr 的框架之下，這項實踐呼應了一種由自我組織機制所孕育的知識生產方式，而非建立於個人作者性或展示性奇觀之上。在制度化機構與正式知識體系形成之前，地方性的材料實踐早已透過長期累積的經驗，塑造社群如何建造、棲居，以及如何形成對自身的認同。從這個角度來看，Claymoon 與 BASPcr 更廣泛的研究方向相互契合，即探討文化、地方感與社會想像並非自上而下地被賦予，而是在材料、勞動、環境與集體生活的交織之中，由下而上地持續生成。
艺术中的物质性
藝術作品
Composed of six panels in warm earthen red tones of unfired Cornwall clay, the work unfolds as a fractured circular trace spread across a grid. The circle appears not as a fixed geometric form, but as a worn imprint that emphasizes the rawness of the material and its direct relation to the earth. Marks of pressure, abrasion, and sedimentation allow the surface to register the artist’s spontaneous gestures. The work ultimately evokes a topographic fragment or aerial landscape, where the circle gathers this rawness into a form that is at once minimal, elemental, and quietly geographical.
Within BASPcr, the work opens a line of inquiry into how vernacular knowledge is carried through material practice. Earth appears here not simply as medium, but as a social and historical substrate that holds memory, gesture, and ways of inhabiting space that precede fixed borders or institutional forms of authorship.
50 × 50 cm (x6)
Unfired Clay pannels (Prices excl. VAT & shipping)
by Adam Weissman - Claymoon studio 2026
One of a kind Artwork with an Authenticity Certificate
Ombre Fade explores subtle transformation through tonal shift and light. Drawing on the quiet phenomenon of a penumbral lunar eclipse, where the moon is softly dimmed rather than dramatically altered, the work captures a moment of near-imperceptible change.
Through a considered use of clay, sand, and pigment, the surface moves gently from light to shadow, evoking the translucent, atmospheric qualities of watercolour and inviting close, contemplative viewing.
Within BASPcr, Claymoon opens a quieter but essential line of inquiry: how vernacular knowledge organises itself through materials, repetition, and care. Long before institutions, borders, or formal authorship, these practices shaped how communities built, inhabited, and recognised themselves. In this sense, Claymoon does not illustrate identity — it reveals the conditions through which collective belonging becomes possible.
Adam Weismann & the Claymoon Studio are the latest addition to Matiz Gallery’s portfolio.
1230mm x 630mm x 65 mm (x3)
Clay (Prices excl. VAT & shipping)
by Adam Weissman - Claymoon studio 2023
One-of-a-Kind Artwork with an Authenticity Certificate
This is a triptych by Adam Weismann (Claymoon Studio), part of a wider series of eleven works. Using the vernacular technique of rammed earth, in which raw wet clay is compacted into a vertical panel, the piece explores the visual and material possibilities of compression, layering, and natural pigmentation. Subtle bands of green and mineral tones create a surface that feels at once geological and atmospheric, evoking soil, horizon, and an abstract sense of landscape. The work foregrounds the rawness of the material and its direct connection to the earth, allowing texture and pigment to carry the image.
Within BASPcr, the piece points to how vernacular techniques hold forms of knowledge and continuity through material practice, linking earth not only to construction, but to memory, inhabitation, and collective relation to place.
1230mm x 630mm x 65 mm (x3)
Unfired Clay pannels (Prices excl. VAT & shipping)
by Adam Weissman - Claymoon studio 2026
One-of-a-Kind Artwork with an Authenticity Certificate
This Artwork is presented as a diptych composed of unfired clay, sand, and pigment, built through processes of compression and layering. Drawing on ancient making traditions and early unfired earth construction, the work foregrounds material density as both structure and memory. Its visible strata evoke weight, pressure, and slow geological transformation, while irregular pockets of softness and texture introduce moments of fragility within mass.
The series reflects on humanity’s earliest relationship with the earth — a quiet meditation on time, ancestry, and the enduring memory held within raw material. Rather than depicting landscape, the work operates as a material record: an accumulation shaped by repetition, touch, and gravity.
Within BASPcr, this work opens a fundamental line of inquiry into how vernacular knowledge organizes itself through material practice. Long before formal authorship, institutions, or borders, earth-based techniques shaped how communities built, inhabited, and recognized themselves. In this sense, Green Rammed Earth Series does not illustrate identity; it reveals the conditions through which collective belonging, continuity, and self-organization become possible.
Adam Weismann & the Claymoon Studio are the latest addition to Matiz Gallery’s portfolio.
1230mm x 630mm x 65 mm (x2)
Clay (Prices excl. VAT & shipping)
by Adam Weissman - Claymoon studio 2023
One-of-a-Kind Artwork with an Authenticity Certificate
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