Composed of six panels in warm earthen red tones of unfired Cornwall clay, the work unfolds as a fractured circular trace spread across a grid. The circle appears not as a fixed geometric form, but as a worn imprint that emphasizes the rawness of the material and its direct relation to the earth. Marks of pressure, abrasion, and sedimentation allow the surface to register the artist’s spontaneous gestures. The work ultimately evokes a topographic fragment or aerial landscape, where the circle gathers this rawness into a form that is at once minimal, elemental, and quietly geographical.
Within BASPcr, the work opens a line of inquiry into how vernacular knowledge is carried through material practice. Earth appears here not simply as medium, but as a social and historical substrate that holds memory, gesture, and ways of inhabiting space that precede fixed borders or institutional forms of authorship.
50 × 50 cm (x6)
Unfired Clay pannels (Prices excl. VAT & shipping)
by Adam Weissman - Claymoon studio 2026
Composed of six panels in warm earthen red tones of unfired Cornwall clay, the work unfolds as a fractured circular trace spread across a grid. The circle appears not as a fixed geometric form, but as a worn imprint that emphasizes the rawness of the material and its direct relation to the earth. Marks of pressure, abrasion, and sedimentation allow the surface to register the artist’s spontaneous gestures. The work ultimately evokes a topographic fragment or aerial landscape, where the circle gathers this rawness into a form that is at once minimal, elemental, and quietly geographical.
Within BASPcr, the work opens a line of inquiry into how vernacular knowledge is carried through material practice. Earth appears here not simply as medium, but as a social and historical substrate that holds memory, gesture, and ways of inhabiting space that precede fixed borders or institutional forms of authorship.
50 × 50 cm (x6)
Unfired Clay pannels (Prices excl. VAT & shipping)
by Adam Weissman - Claymoon studio 2026
