This is a triptych by Adam Weismann (Claymoon Studio), part of a wider series of eleven works. Using the vernacular technique of rammed earth, in which raw wet clay is compacted into a vertical panel, the piece explores the visual and material possibilities of compression, layering, and natural pigmentation. Subtle bands of green and mineral tones create a surface that feels at once geological and atmospheric, evoking soil, horizon, and an abstract sense of landscape. The work foregrounds the rawness of the material and its direct connection to the earth, allowing texture and pigment to carry the image.
Within BASPcr, the piece points to how vernacular techniques hold forms of knowledge and continuity through material practice, linking earth not only to construction, but to memory, inhabitation, and collective relation to place.
1230mm x 630mm x 65 mm (x3)
Unfired Clay pannels (Prices excl. VAT & shipping)
by Adam Weissman - Claymoon studio 2026
This is a triptych by Adam Weismann (Claymoon Studio), part of a wider series of eleven works. Using the vernacular technique of rammed earth, in which raw wet clay is compacted into a vertical panel, the piece explores the visual and material possibilities of compression, layering, and natural pigmentation. Subtle bands of green and mineral tones create a surface that feels at once geological and atmospheric, evoking soil, horizon, and an abstract sense of landscape. The work foregrounds the rawness of the material and its direct connection to the earth, allowing texture and pigment to carry the image.
Within BASPcr, the piece points to how vernacular techniques hold forms of knowledge and continuity through material practice, linking earth not only to construction, but to memory, inhabitation, and collective relation to place.
1230mm x 630mm x 65 mm (x3)
Unfired Clay pannels (Prices excl. VAT & shipping)
by Adam Weissman - Claymoon studio 2026
